Madoka Wada is a Japanese interdisciplinary artist based in Maryland. Her work explores postnationalism and immigration, celebrating underrepresented stories and identities. Working across installation, painting, ceramics, and mobiles, she weaves these mediums into playful, poetic narratives that draw from both US and Japanese folklore and pop culture. Wada earned her BFA in Interactive Art at the Maryland Institute College of Art (2018) and MFA in Digital Technology at Arizona State University (2022).Wada’s practice examines the emotional textures of contemporary migration, from the search for belonging to the dream of a more equitable world. Nature, particularly resilient birds and other small creatures, appears as a quiet metaphor for survival, adaptation, and freedom. Folklore and popular culture, including songs, books, and everyday icons, serve as frameworks through which she considers how stories travel, are misread, and take root in new places. Painting allows her to construct imagined landscapes, while ceramics become artifacts and monuments that give form to memory and speculative histories. Mobiles introduce movement and contingency, responding to air and light to suggest ever-changing futures. Favoring low-fi aesthetics, bright colors, and seemingly childlike forms, Wada cultivates a dreamlike aesthetic that gestures toward possible worlds rather than fixed conclusions.